Four Seasons - Antonio Vivaldi - 432Hz. Vivaldi Long sleeve t-shirt with logo on the chest. Rated 5.00 out of 5 $ 19.00 Select options; Unisex Vivaldi Long sleeve t-shirt with subtle logo. Violin Concerto in E major, RV 269 (Vivaldi, Antonio) Incipit see below I. Movements/Sections Mov'ts/Sec's: 3 movements Composition Year 1723 Genre Categories.
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THE FOUR SEASONS: 1: Concerto No.1 in E Major, RV 269, 'SPRING' Allegro / Largo / Allegro (Pastorale dance) 2: Concerto No.2 in g minor, RV 315, 'SUMMER' Allegro non molto - Allegro / Adagio – Presto – Adagio / Presto (Summer Storm) 3: Concerto No.3 in F Major, RV 293, 'AUTUMN' Allegro (Peasant Dance and Song) / Adagio molto (Sleeping Drunkards) / Allegro (The Hunt) 4: Concerto No.4 in f minor, RV 297, 'WINTER' Allegro non molto / Largo / Allegro One of the earliest uses of music was in the accompaniment of theatrical dance and story-telling, so it is natural that composers should from time to time produce what we know as 'program music' – music written to portray events, activities or moods such as pastoral scenes or storms. Music representing the moods of the four seasons has always been popular, and baroque composers such as Werner and Fischer among others produced cycles of concertos representing the fours seasons. But none were to do so in such precise pictorial detail as Antonio Vivaldi in his Four Seasons concertos.As a descriptive basis for his Four Seasons, Vivaldi took four Sonnets, apparently written by himself. Each of the four sonnets is expressed in a concerto, which in turn is divided into three phrases or ideas, reflected in the three movements (fast-slow-fast) of each concerto. The published scores (by Estienne Roger of Amsterdam in 1725) are marked to indicate which musical passages are representative of which verses of the sonnet. It is advisable, at least during the first few hearings, to follow the sonnets and music together, for they are bound up with one another to an extent rarely heard in any other programmatic pieces either of the baroque period or subsequently. |
Spring – Concerto in E Major Allegro 'Giunt' è la Primavera e festosetti La Salutan gl' Augei con lieto canto, E i fonti allo Spirar de' Zeffiretti Con dolce mormorio Scorrono intanto: Vengon' coprendo l' aer di nero amanto E Lampi, e tuoni ad annuntiarla eletti Indi tacendo questi, gl' Augelletti; Tornan' di nuovo al lor canoro incanto:' Largo 'E quindi sul fiorito ameno prato Al caro mormorio di fronde e piante Dorme 'l Caprar col fido can' à lato.'
Allegro 'Di pastoral Zampogna al suon festante Danzan Ninfe e Pastor nel tetto amato Di primavera all' apparir brillante.' | Spring – Concerto in E Major Allegro Evernote amazon. Springtime is upon us. The birds celebrate her return with festive song, and murmuring streams are softly caressed by the breezes. Thunderstorms, those heralds of Spring, roar, casting their dark mantle over heaven, Then they die away to silence, and the birds take up their charming songs once more. Largo On the flower-strewn meadow, with leafy branches rustling overhead, the goat-herd sleeps, his faithful dog beside him. Allegro Led by the festive sound of rustic bagpipes, nymphs and shepherds lightly dance beneath the brilliant canopy of spring. |
Summer – Concerto in g-minor Allegro non molto 'Sotto dura Staggion dal Sole accesa Langue l' huom, langue 'l gregge, ed arde il Pino; Scioglie il Cucco la Voce, e tosto intesa Canta la Tortorella e 'l gardelino. Zeffiro dolce Spira, mà contesa Muove Borea improviso al Suo vicino; E piange il Pastorel, perche sospesa Teme fiera borasca, e 'l suo destino;' Adagio e piano - Presto e forte 'Toglie alle membra lasse il Suo riposo Il timore de' Lampi, e tuoni fieri E de mosche, e mossoni il Stuol furioso!' Presto 'Ah che pur troppo i Suo timor Son veri Tuona e fulmina il Ciel e grandioso Tronca il capo alle Spiche e a' grani alteri.' | Summer – Concerto in g-minor Allegro non molto Beneath the blazing sun's relentless heat men and flocks are sweltering, pines are scorched. We hear the cuckoo's voice; then sweet songs of the turtle dove and finch are heard. Soft breezes stir the air….but threatening north wind sweeps them suddenly aside. The shepherd trembles, fearful of violent storm and what may lie ahead. Adagio e piano - Presto e forte His limbs are now awakened from their repose by fear of lightning's flash and thunder's roar, as gnats and flies buzz furiously around. Presto Alas, his worst fears were justified, as the heavens roar and great hailstones beat down upon the proudly standing corn. |
Autumn – Concerto in F Major Allegro 'Celebra il Vilanel con balli e Canti Del felice raccolto il bel piacere E del liquor de Bacco accesi tanti Finiscono col Sonno il lor godere' Adagio molto 'Fà ch' ogn' uno tralasci e balli e canti L' aria che temperata dà piacere, E la Staggion ch' invita tanti e tanti D' un dolcissimo Sonno al bel godere.' Allegro 'I cacciator alla nov' alba à caccia Con corni, Schioppi, e canni escono fuore Fugge la belua, e Seguono la traccia; Già Sbigottita, e lassa al gran rumore De' Schioppi e canni, ferita minaccia Languida di fuggir, mà oppressa muore.' | Autumn – Concerto in F Major Allegro The peasant celebrates with song and dance the harvest safely gathered in. The cup of Bacchus flows freely, and many find their relief in deep slumber. Adagio molto The singing and the dancing die away as cooling breezes fan the pleasant air, inviting all to sleep without a care. Allegro The hunters emerge at dawn, ready for the chase, with horns and dogs and cries. Their quarry flees while they give chase. Terrified and wounded, the prey struggles on, but, harried, dies. |
Winter – Concerto in f-minor Allegro non molto 'Aggiacciato tremar trà neri algenti Al Severo Spirar d' orrido Vento, Correr battendo i piedi ogni momento; E pel Soverchio gel batter i denti;' Largo 'Passar al foco i di quieti e contenti Mentre la pioggia fuor bagna ben cento' Allegro 'Caminar Sopra 'l giaccio, e à passo lento Per timor di cader gersene intenti; Gir forte Sdruzziolar, cader à terra Di nuove ir Sopra 'l giaccio e correr forte Sin ch' il giaccio si rompe, e si disserra; Sentir uscir dalle ferrate porte Sirocco Borea, e tutti i Venti in guerra Quest' é 'l verno, mà tal, che gioja apporte.' | Winter – Concerto in f-minor Allegro non molto Shivering, frozen mid the frosty snow in biting, stinging winds; running to and fro to stamp one's icy feet, teeth chattering in the bitter chill. Largo To rest contentedly beside the hearth, while those outside are drenched by pouring rain. Allegro We tread the icy path slowly and cautiously, for fear of tripping and falling. Then turn abruptly, slip, crash on the ground and, rising, hasten on across the ice lest it cracks up. We feel the chill north winds coarse through the home despite the locked and bolted doors… this is winter, which nonetheless brings its own delights. |
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BMC 19 | ANTONIO VIVALDI (1678-1741): The FOUR SEASONS The Modena Chamber Orchestra, Leader, and solo violin, Francesco Calvi Caterina Montanari, harpsichord continuo GLORIA in D, RV 589 Mimi Coertse & Ina Dressel, sopranos / Sonja Draxler, alto Vienna Academy Chorus & State Opera Orchestra Conductor Hermann Scherchen |
This lyrical performance by the Modena Chamber Orchestra under Maestro Calvi reflects every detail of the original sonnets.. the birds of spring, a summer storm, the peasants' revelries when the autumn harvest is completed, the chattering teeth as the winter wind blows. English text of the sonnets is enclosed with the CD. 'Four Seasons' recordings are usually accompanied on a CD by some similar string concertos. The Baroque Music Club CD however has taken the opportunity to offer something different and a complete contrast in sound, with Vivaldi's magnificent Gloria in a wonderful performance full of sensitivity and detailing. Here on one CD is something familiar, something perhaps a little less known. The Gloria will certainly prove a revelation to those unfamiliar with it. Total Time: 74:51. Click the image for full information and music samples. |
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As an alternative, Google suggested Federated Learning Cohorts (FLoC) which essentially groups people based on their browsing habits so that advertisers can show their ads to a group of people rather than individuals. While not as targeted as cookie-based ads, there remains some level of targeting.
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While FLoC makes it hard for third-party advertisers to figure out your individual browsing habits, Vivaldi reminds us that Google owns Chrome and runs an ad network and could therefore gain an advantage over competitors, further cementing its position.
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With FLoC being disabled in Vivaldi and Brave and not even shipping with Firefox or Safari, it does raise the question of whether Google will shelve the project altogether. If that happens, it will be back to the drawing board as stakeholders of the online world work out a way to serve privacy-friendly ads while still targeting those ads in some way.